Showbizreporting's Blog

December 8, 2009

SAG, AFTRA FACE DEADLINE

SAG, AFTRA face deadline
Unions must decide soon if they are to negotiate together
By DAVE MCNARY

The Screen Actors Guild and the American Federation of Television & Radio Artists are facing a looming deadline within the next few months if they’re going to negotiate together on the primetime-feature contract with the majors.
The performers unions haven’t yet taken any formal steps toward joint bargaining, even with SAG obligated to begin seven weeks of negotiations with the Alliance of Motion Picture & Television Producers on Oct. 1. The current SAG and AFTRA master contracts — negotiated separately for the first time in three decades — both expire on June 30, 2011.

AFTRA president Roberta Reardon has held informal discussions recently with SAG prexy Ken Howard about the issue. She admitted that a decision by AFTRA will probably be made before the end of the first quarter, given that both unions require several months for a “wages and working conditions” process of meetings with members to hammer out contract proposals prior to the start of bargaining.

“We’ve had a lot of internal discussion about joint negotiations but we haven’t formalized anything,” she told Daily Variety. “We would do it if it were something that’s to the advantage of all our members.”

SAG declined to comment on Reardon’s statements.

Reardon noted that AFTRA’s also facing looming expirations on two of its other major contracts — sound recordings, which expires June 30; and network code, which ends on Nov. 15. The AFTRA netcode pact covers about $400 million in annual earnings from dramatic programs in syndication or outside primetime, daytime serial dramas, gameshows, talkshows, variety and musical programs, news, sports, reality shows and promotional announcements.

“We have a little bit of a pileup in terms of scheduling,” Reardon added.

She also said that no definitive steps have been taken toward a SAG-AFTRA merger, voted down by SAG members in 1999 and 2003, indicating that combining the unions remains a long-term goal. “I got into AFTRA politics eight years ago because I believe that performers should be in a single union, but if we’re going to do that, we need to take the time to do it right,” she added.

Relations between SAG and AFTRA hit a low early last year when AFTRA angrily split off from joint negotiations over jurisdiction and reached its own primetime deal. SAG — which still hadn’t shifted control to the moderates — then blasted terms of the pact, which had a relatively low 62% ratification. With SAG not reaching a deal until a year later, AFTRA was able to sign up the lion’s share of this year’s TV pilots that were shot digitally.

In the fall of 2008, AFTRA and SAG agreed to a separate deal aimed at ending the bickering between the unions. Brokered by the AFL-CIO, the agreement included “nondisparagement” language along with fines and other discipline for violators; the unions then agreed to joint negotiations on the commercials contract and reached a new three-year deal with the ad industry last spring.

But the enmity toward AFTRA remains strong in some SAG quarters. Its Hollywood board passed a resolution in May to explore the “acquisition” of actors repped through AFTRA, leading to an AFL-CIO umpire warning SAG it would face “severe” fines for any further discussions of an “acquisition” and ordering the guild to officially disavow the statement.

SAG’s Membership First faction, which controls the Hollywood board, staunchly opposes any merger and contends that SAG should represent all acting work. Howard campaigned as the head of the Unite For Strength ticket, which explicitly advocates combining the unions.

“We should merge to create a single powerful union that covers all the work we do, making it impossible for our employers to divide us,” the faction has noted. “That’s what Unite for Strength is all about.”

SAG and AFTRA have shared jurisdiction over primetime series and the long-standing agreement has been that SAG reps all projects shot on film, while SAG and AFTRA have an equal shot at projects shot electronically. With more primetime skeins shot in high-def digital formats, AFTRA’s electronic purview has greatly expanded in the past two years as nearly all primetime pilots went AFTRA.

http://www.variety.com/article/VR1118012309.html?categoryId=13&cs=1

November 2, 2009

Appeal Strikes Out

Variety

Rosenberg appeal strikes out
Three-judge panel upholds SAG moves
By DAVE MCNARY, Variety

Former Screen Actors Guild president Alan Rosenberg has struck out again in court in his long-running attempt to overturn moves by SAG’s national board to fire Doug Allen and abolish SAG’s negotiating committee.
A three-judge appeals court panel on Tuesday denied Rosenberg’s appeal of a February ruling by a state judge turning down Rosenberg’s request for a temporary restraining order. In a 21-page ruling, Judges Nora Manella, Steven Suzukawa and Thomas Willhite asserted the appeal had been rendered “moot” by subsequent actions of the SAG board and its members.

Rosenberg wasn’t available to comment. Duncan Crabtree Ireland, SAG’s deputy national exec director and general counsel, said in response, “The court’s decision speaks for itself, and Screen Actors Guild will have no further comment.”

Rosenberg and board members Anne-Marie Johnson, Diane Ladd and Kent McCord had filed the suit against SAG and the 41 board members, alleging that they had illegally used a “written assent” maneuver on Jan. 26 to oust Allen and the feature-primetime negotiating committee. Rosenberg had led a 28-hour filibuster at the SAG board meeting on Jan. 12-13 to block a vote to fire Allen, prompting the moderates to take the “written assent” route.

A few days after the suit was filed, the moderates fired Allen for a second time in a regular board meeting.

“We conclude that the appeal has been rendered moot by the decision of the majority of the board on Feb. 9 to ratify and readopt the provisions of the written assent and by the subsequent decision by SAG members to accept the contract negotiated pursuant to the board’s Feb. 9 vote,” the judges wrote.

SAG members endorsed the feature-primetime deal in June with 78% backing — a surprisingly large margin that led Rosenberg to decide against seeking another term as president.

Rosenberg also alleged that the moves should be overturned due to procedural irregularities at the February meeting but the judges said they could find no such violations. And the panel said it disagreed with Rosenberg’s contention that the issues surrounding the use of written assent are of “broad public interest,” with such disputes likely to recur within SAG.

“Nothing before us supports these contentions,” the judges said. “As the issues stem from an exceptional dispute now mooted by the board’s action (and the members vote), we discern no public interest to be served by resolving them.”

The judges also awarded SAG its costs for the appeal.

October 27, 2009

Variety: SAG stats- Diversity Lags

SAG stats: Diversity lags
Minorities, seniors, females underrepresented

By DAVE MCNARYMore Articles:

Minorities, seniors and female actors have achieved few gains in recent years in the number of film and TV roles they receive, according to casting stats released by the Screen Actors Guild.

“The diverse and multicultural world we live in today is still not accurately reflected in the portrayals we see on the screen,” SAG president Ken Howard said in a statement. “We will continue to work with producers, hiring executives and industry professionals in accurately portraying the American scene by ensuring equal access to employment opportunities for all of our members.”

The latest statistics, released Friday, showed minority performers reached a high mark in 2007, with 29.3% of total roles, and then declined last year to 27.5%.

The breakdown of film and TV roles for 2008 was 72.5% Caucasian, 13.3% African-American, 6.4% Latino-Hispanic, 3.8 Asian-Pacific Islander, 0.3% Native American and 3.8% other-unknown. SAG noted in its report that U.S. Census data from 2000 showed that the nation’s population was 73.4% Caucasian, 11.5% African-American, 10.6% Latino-Hispanic, 3.7% Asian-Pacific Islander and 0.8% Native American.

Producers who are signatory to SAG contracts are required to submit hiring data in order to examine the trends of “traditionally underemployed and disenfranchised members.”

SAG also noted that people with disabilities remain “virtually invisible” in casting even though 20% of the U.S. population has a disability.

SAG, AFTRA, Actors Equity and the WGA held the inaugural Hollywood Disabilities Forum at UCLA on Saturday.

The report noted that male actors continue to fill the majority of roles, especially in the supporting category, with about two roles for every female role.

The picture did improve slightly for older thesps.

Roles have increased for males 40 and over, with film parts up from 40% in 2006 to 43% in 2008, while TV roles increased from 40% to 42% in that period; roles for females 40 and over rose in film and TV from 26% in 2006 to 28% last year.

SAG also said that Asian-Pacific thesps were the only minority group to gain from 2007 to 2008, increasing from 3.4% to 3.8%, thanks to gains in TV.

http://www.variety.com/article/VR1118010361.html?categoryid=1055&cs=1

October 20, 2009

Carol Lombardini to top AMPTP

Carol Lombardini to top AMPTP
Org names new president
By DAVE MCNARY

Lombardini_carol

The key players for the next round of guild contract talks are now in place. With another complex set of labor negotiations looming, the majors opted for stability by promoting Carol Lombardini to prexy of the Alliance of Motion Picture & Television Producers. Her appointment comes eight months after Nick Counter announced his retirement following nearly 30 years as the majors’ top labor negotiator.
Lombardini is likely to face a much different dynamic in the next round of talks than she and Counter experienced in the last round, when the WGA went on strike for 100 days and SAG took a year to close its feature-primetime deal.
Presidential elections at the WGA West and SAG last month ushered in regime changes and leaders who have vowed to tone down the confrontational rhetoric that characterized the 2007-08 contract talks.
Still, the guilds and AMPTP will have to grapple with issues regarding new-media compensation, as they evaluate the residual formulas that were introduced in the most recent contracts. They’ll also likely have to address shortcomings in the guild-sponsored health and pension plans, which have been battered by the economic downturn.
The AMPTP is contractually bound to begin negotiations with SAG this time next year for the successor to the contract that expires June 30, 2011, as does the DGA deal. The WGA’s pact expires two months earlier.
Lombardini has been involved in more than 300 negotiations during a 27-year career at the AMPTP. She’s been acting prexy since Counter’s departure in March.
In the end, Lombardini was the unanimous choice among the AMPTP member companies following interviews with half a dozen candidates. Sony Pictures topper Michael Lynton, Warner Bros. chairman-CEO Barry Meyer and NBC Universal chief Jeff Zucker made up the committee that oversaw the selection process.
Lombardini, viewed as more low-key than Counter, has specialized in the drafting and interpretation of contract language, while Counter focused on negotiations and strategy — a complex task given the different priorities for the congloms that dominate the AMPTP.
“I look forward to leading the AMPTP as the businesses of our member companies evolve,” Lombardini said. “I am also committed to building on my longstanding relations with our bargaining partners across the entertainment industry. The most important challenge we face is finding ways for the companies and guilds and unions to reach agreements that do everything possible to keep the business vital.”
Counter was able to maintain labor peace in Hollywood for much of his tenure at the AMPTP but became a much-vilified figure during the WGA’s walkout. Counter’s stance on new media and strategy of pursuing the controversial notion of shifting all residual formulas to a recoupment-based blueprint was widely viewed as helping solidify the resolve of WGA members to support the strike.
Studio honchos have been pleased with recent political developments within the unions. SAG has seen its leadership tilt toward a more moderate stance in the past two elections, as illustrated by Ken Howard’s appointment as prexy last month. John Wells took the reins of the WGA West, a move seen as a vote by scribes to tap into his biz relationships and experience in contract negotiations.
When Counter announced his retirement in February, the AMPTP employed a search firm that interviewed about a dozen candidates. It’s understood that Lomdardini emerged as the favorite due to her extensive background in hammering out the nuances of the labor agreements.
“She has a proven track record as a negotiator, deep knowledge of labor issues and excellent relationships throughout the industry with guilds, unions and the member companies alike,” Meyer said in a statement.
Lombardini, an attorney by training, has served as general counsel; VP of legal affairs; senior VP of legal and business affairs; and exec VP of legal and business affairs.

http://www.variety.com/article/VR1118009982.html?categoryId=13&cs=1

July 21, 2009

SAG’s slate of candidates still secret

SAG’s slate of candidates still secret

Membership First coalition to announce Sunday

SAG 

 

 

 

Despite a fast-approaching Thursday filing deadline, the two factions within the Screen Actors Guild have continued to keep their slate of candidates for the guild’s September elections under wraps.

The Membership First coalition, which is aiming to regain control of SAG’s national board, has opted to announce its slate Sunday at a fund-raiser at the Beverly Hills home of board members Joe Bologna and Renee Taylor. SAG prexy Alan Rosenberg and secretary-treasurer Connie Stevens are hosting the event along with eight co-hosts: Barbara Eden, Dick Van Patten and national board members Scott Bakula, Anne De Salvo, Joely Fisher, Lainie Kazan, Nancy Sinatra and JoBeth Williams.

Since Rosenberg said conditionally six weeks ago that he’d seek a third two-year term, no one else has stepped forward to run for president. First VP Anne-Marie Johnson has admitted her name is under consideration as a Membership First candidate but has also stressed that no final decision has been made.

Membership First plans to run a full slate of candidates in Hollywood — where moderates from Unite for Strenght wrested control of the national board last fall — along with slates in New York and Chicago. About a third of the 71 seats are up in the election, with results due to be announced Sept. 24.

The Unite for Strength faction, which has a slim majority on the national board in a coalition with board members from SAG’s branches, hasn’t yet revealed any of its candidates. Rumors on possible presidential candidates have included national board members Adam Arkin and Morgan Fairchild, alernate national board member Ned Vaughn, Jason Alexander and former secretary-treasurer James Cromwell.

The overwhelming 78% ratification of SAGs feature-primetime contract — despite fervent opposition by Rosenberg and Membership First — has convinced many that the moderates will prevail in the election. But voting by SAG members has remained unpredictable over the past decade.

DGA to Rosenberg: Go Away Already!

DGA to Rosenberg: Go away already

Michael Apted slams SAG president

The Directors Guild of America has told Screen Actors Guild president Alan Rosenberg to shut up and go away.

That’s the sentiment expressed by outgoing DGA president Michael Apted in a blunt letter responding to Rosenberg’s request for a summit meeting of the town’s unions about the 2011 round of negotiations.

Rosenberg pledged he would make such an effort on June 9, in the aftermath of SAG members’ ratification of the feature-primetime contract. But, in a letter sent Wednesday, Apted made it abundantly clear that Rosenberg’s relentless criticism of the DGA has been so out of line that the DGA’s not remotely interested in any such get-together.

Apted noted that under “normal circumstances,” such a summit meeting to discuss negotiations could take place — but without public proclamations announcing the meeting first.

“Of course, these are not normal circumstances,” Apted said. “Since June 9, I’ve seen repeated statements in the press regarding your intention to call a meeting, yet Monday’s email is the first time you’ve made any effort to contact me in over 18 months. In addition, you’ve repeatedly, and in my opinion unfraternally, attacked the negotiations and contracts of the DGA and other unions in the press and other public forums. So, in the circumstances, I’m very surprised that you would consider yourself to be in a position to convene an event that requires trust and fraternity to have any chance of success.”

Apted concluded the letter by saying, “On behalf of the DGA, I respectfully decline your request.”

Rosenberg told Daily Variety he was disappointed over Apted’s response.

“It’s a shame that what had been a private communication has become public,” he said. “I’m disappointed that Michael Apted doesn’t share my belief in the importance of building unity among the unions because our collective efforts should be towards obtaining a decent deal in two years. What’s happened at past negotiations doesn’t really matter now.”

The SAG president’s power to speak officially on behalf of the guild was taken away in late January as part of the move by the board’s moderates to oust former SAG national exec director Doug Allen.

But there’s been bad blood between the guilds dating back to Jan. 29, 2008 — when Rosenberg and Allen blasted the DGA’s tentative contract agreement with the majors, which eventually served as the template for the WGA, AFTRA and SAG contracts. Rosenberg and Allen criticized many of the specifics of the deal in a message sent to SAG members.

Apted responded on the same day by accusing SAG of throwing a monkey wrench into the talks between the WGA and majors that would ultimately settle the scribes’ 100-day walkout.

“Their letter has one purpose and one purpose only: to interfere with the informal talks currently under way between the WGA and the studios,” Apted said at the time. “Simply put, their assumptions and arguments are specious. The DGA deal is a great deal for our members.”

AFTRA president Roberta Reardon said last week that there had been no movement toward a summit meeting. She had proposed the idea a year ago but said last Friday that she’d wait until after the SAG elections in September before exploring such a step.

An AFTRA rep said that Los Angeles Local President Ron Morgan received an invitation earlier this week from Rosenberg to meet at his home on Aug. 3 to discuss “building solidarity” between the entertainment labor unions. But she added that AFTRA leaders won’t be available.

“AFTRA National President Roberta Reardon never received an invitation,” the rep added. “The entire AFTRA leadership team will be in Chicago from Monday, August 3 through Sunday, August 9 for the Convention and other related union meetings, which have been scheduled for more than a year.”

WGA West spokesman Neal Sacharow said that WGA West president Patric Verrone — who will be termed out of office in September — will attend the Aug. 3 meeting at Rosenberg’s home. Besides Apted, Verrone and Morgan, Rosenberg also invited Michael Miller, VP of the Intl. Alliance of Theatrical Stage Employees.

“The refrain I heard most often during this past negotiating season is that we had to ‘build solidarity between our organizations’ in preparation for 2011,” Rosenberg said in the invite. “I would like to invite you to what, I hope, will be the first in a series of informal, discussions designed to create that unity. In general, I would like to explore those areas where we share common ground, and how we might develop strategies that will benefit our respective members.”

July 4, 2009

Justine Bateman Resigns

Justine Bateman has resigned from the Screen Actors Guild’s national board of directors, blasting the moderates who control the board and repeating her characterization of AFTRA as a “scumbag” union. In a letter made public Friday, Bateman also expressed frustration over SAG members not sharing her views toward and their recent 78% approval of the feature-primetime contract. “They rarely expressed the correct anger at AFTRA low-balling contracts over the years that affected their ability to provide for themselves,” she said. “They then ignored, seemingly, ALL the news about the migration from Old Media to New Media and recently took from the AMPTP the worst deal I have ever seen. For nothing.” Bateman and other opponents insisted during the anti-ratification campaign that the migration of programming to digital platforms required that actors receive sweeter terms than those contained in the two-year deal. “SAG’s members themselves have now voted up a contract that will cause about 50% of the working members to leave the business, but now that you’re all ‘back to work’ you’re probably too busy to read this,” she said in the letter. “Congratulations.” Bateman’s slot on the board will be filled by an appointed rep from the Hollywood Division board, then become one of the seats up for election in September. The departure of Bateman, one of the more high-profile board members allied with the more assertive Membership First faction, will make it more difficult for that group to regain control of the board from the moderate coalition. Bateman said she initially run for the board three years ago in order to address three issues — the SAG web site, the poor agent-relations, and the “seeming absence” of jurisdictional lines between SAG and AFTRA. She said the web site has been improved but other issues had become worse. Bateman asserted that agents have a conflict of interest by acting as production companies themselves. SAG lost oversight of most major agencies in 2002 when SAG members voted down a revamp of the franchise agreement that eased the ownership restrictions. Bateman gained notice last year for her attack of AFTRA, calling it a “scumbag” union. AFTRA subsequently angrily split from SAG and negotiated its primetime deal separately. Most new pilots have signed with AFTRA since then; additionally, SAG patched up its relations with AFTRA and signed a non-disparagement agreement in order to jointly negotiate a commercials contract “AFTRA has just basically, after years of trying to get SAG’s attention by lighting the newspapers on the porch on fire, have finally succeeded in partially burning the place down,” Bateman said in the Friday letter. “And all we dual-card members be damned. We should have bought that scumbag organization years ago and shut that duplicitous leadership up instead of submitting to this ‘non-disparagement agreement’ by which I am, happily, no longer bound.” She also blasted the SAG board, which saw moderates gain control over the hardline Membership First faction last fall, for requiring that SAG president Alan Rosenberg no longer be allowed to be the official public voice of the union. “What is this?” she asked. “Communist China or tumultuous Iran? I can’t be a part of a union leadership that strips it’s elected leadership of its voice. If we can’t speak up about injustices in union matters, how are we being effective at all in office? No, better to not be a part of it and to be able to speak freely against what I see as irresponsibility, fear, greed, and ego-driven decision-making.” SAG First VP Anne-Marie Johnson told Daily Variety that Bateman was speaking for herself and not on behalf of Membership First.

HERE’S BATEMAN’S RESIGNATION LETTER, DATED JULY 1, 2009.

To All,

I am resigning my position as SAG National Board member and withdrawing my bid for re-election effective immediately.

I initially ran for the Board 3 years ago to affect a change in three areas: the almost non-functioning web-site, the poor agent-relations, and the seeming absence of jurisdictional lines between SAG and AFTRA.

I am happy to have been able to effect the change in the web-site with the help of that committee, Doug Allan, and Pamela Greenwald, but the other goals have alluded me and have just become worse.

Agents are now not only owned in part by organizations that would create conflict of interest, but acting as the production company themselves and nobody saw fit to stop that. Now, though, we’re very far on the other side of that and I suppose actors have not really given thought to to the concept of being represented by an advocate with no conflicting alliances.

AFTRA has just basically, after years of trying to get SAG’s attention by lighting the newspapers on the porch on fire, have finally succeeded in partially burning the place down. And all we dual-card members be damned.

We should have bought that scumbag organization years ago and shut that duplicitous leadership up instead of submitting to this “non-disparagement agreement” by which I am, happily, no longer bound.

And our own SAG leadership gagging Alan Rosenberg and Connie Stevens? What is this? Communist China or tumultuous Iran? I can’t a part of a union leadership that strips it’s elected leadership of its voice. If we can’t speak up about injustices in union matters, how are we being effective at all in office? No, better to not be a part of it and to be able to speak freely against what I see as irresponsibility, fear, greed, and ego-driven decision-making.

And then there is the membership itself. They rarely expressed the correct anger at AFTRA low-balling contracts over the years that affected their ability to provide for themselves. They then ignored, seemingly, ALL the news about the migration from Old Media to New Media and recently took from the AMPTP the worst deal I have ever seen. For nothing.

This is not the make up of membership that could have gotten us Health and Pension or Residuals like our older members struck and fought for years ago. We have all enjoyed those benefits, but when it was our turn to protect them, we blew it. AFTRA blew it. And then we blew it by not expressing absolute outrage over their tactic of GREATLY encouraging their newscasters and weathermen to vote up that AFTRA TV/Theatrical contract “even if you do not work this contract and never will”. Yeah, that was in an e-mail that went around. Some of these weathermen even made YouTube videos celebrating their vote, thumbing their noses at us. CLASSY.

SAG’s members themselves have now voted up a contract that will cause about 50% of the WORKING members to leave the business, but now that you’re all “back to work” you’re probably too busy to read this. Congratulations.

Thank you for allowing me to serve and to represent the membership. I hope I honored the sacrifices of past Board Members who created such wonderful benefits for me and my family like Pension & Health, Basic Minimums, and Residuals. To those members I am truly, truly grateful. Words cannot express my appreciation of your sacrifices for future generations of actors.

Thank You,
Justine Bateman

June 12, 2009

Digital Media Law

Filed under: Entertainment — showbizreporting @ 2:20 pm
Tags: , , , , , , ,

SAG Resolution Resolves Little for Film Business Posted: 11 Jun 2009 06:16 PM PDT With the SAG contract ratified, will the film business finally get back to normal? Unfortunately, no. Although we’ll see a brief spike in production, the business we once knew may never reappear, for a host of reasons. . . . to read more, see my piece in Variety

June 10, 2009

Digital Media Law: SAGTV/Theatrical Contract Ratified Overwhelmingly, 78%-22%

Digital Media Law

SAG TV/Theatrical Contract Ratified Overwhelmingly, 78%-22%

In a stunning defeat for the hardline Membership First faction, SAG’s TV/theatrical contract passed overwhelmingly, by a 78%-22% margin (almost 4 to 1), those numbers according to the guild. Variety first reported the story, prior to the guild’s announcement, with a 1% difference in the numbers.

Significantly, even in the faction’s stronghold, the Hollywood division, the vote was an enormous 71% to 29% in favor, or almost 3 to 1. In NY, it was 86% to 14%, and in the regions it was 89% to 11%. There was a large turnout—35% of eligible members voted, far above the typical 20%-25%. The ballots went out to 110,000 paid-up members.

It’s an amazing end to an almost 12 month stalemate, and calls into question the faction’s ability to make any headway in the upcoming SAG board elections. On the contrary, the results suggest that the moderate Unite for Strength faction should make significant gains. That’s because only Membership First will be defending seats in Hollywood , whereas no moderates or independents are up for reelection. Thus, the moderates can only gain, at least in Hollywood . In NY and the regions, Membership First has little support, so, there again, the moderates should prevail.

Another question is the SAG presidency, which is up this year as well. According to Variety, incumbent president Alan Rosenberg announced today that he’ll seek a third term. Given the membership’s overwhelming rejection of his vote No position, that may be an uphill climb, especially if the moderates/independents put forward a high-profile candidate, such as James Cromwell, who has been rumored to be considering a run.

Below are press releases from AFTRA and the AMPTP.

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AFTRA Press Release

AFTRA President Roberta Reardon Applauds SAG Contract Ratification

Los Angeles, CA (June 9, 2009)–In a statement released today, Roberta Reardon, National President of the American Federation of television and Radio Artists (AFTRA), praised the announcement by Screen Actors Guild regarding ratification by SAG members of a new two-year successor agreement to the SAG Basic Agreement and SAG Television Agreement saying:

“On behalf of the more than 70,000 members of AFTRA, I congratulate the members of Screen Actors Guild on their successful ratification of a new television and theatrical agreement. We’re pleased that SAG members will now enjoy improved wages and working conditions, and we applaud their efforts to negotiate a solid new agreement.”

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AMPTP Press Release

Statement by the AMPTP

The ratification vote by SAG members is good news for the entertainment industry. This concludes a two-year negotiating process that has resulted in agreements with all major Hollywood Guilds and Unions. We look forward to working with SAG members – and with everyone else in our industry – to emerge from today’s significant economic challenges with a strong and growing business.

June 3, 2009

SAG Hardliners’ Picnic No Walk in the Park

Filed under: Entertainment — showbizreporting @ 12:28 pm
Tags: , , , , , ,

 

SAG Hardliners’ Picnic No Walk in the Park  (May 18, 2009)

 

What if you held a picnic and nobody came? That’s almost where Membership First found itself yesterday. A beautiful day, a heavily promoted event, yet the SAG faction was only able to draw about 70 people to its Griffith Park / LA Zoo shindig, reports Variety.

SAG President Alan Rosenberg, who spoke at the picnic cum rally, predicted “a good chance” of defeat for the pending TV/theatrical deal, but that seems unlikely if MF can only attract a handful of members to an event in LA, considered the group’s stronghold. The ballots go out tomorrow (Tuesday the 19th), with a June 9 return date, so we’ll know in a few weeks whether the MF tigers still roar or whether they’ve turned to paper.

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