Showbizreporting's Blog

September 25, 2009

SAG Election Results are in!

SAG elects Ken Howard president
Amy Aquino chosen as secretary-treasurer
By Jay A. Fernandez

Sept 24, 2009, 10:24 PM ET

Updated: Sept 24, 2009, 11:10 PM ET
There are surely more conflicts to come, but the Screen Actors Guild membership on Thursday night settled a big one: Ken Howard has been elected the union’s new national president.

Running mate Amy Aquino beat two-time incumbent Connie Stevens in the race for secretary-treasurer. Howard and Aquino will serve two-year terms beginning Friday.

For the moment, at least, the outcomes indicate that a winning 47.2% of the voting segment of SAG’s roughly 120,000 members prefers the less strident approach of the self-styled moderate wing of the party represented by Unite for Strength.

Howard collected 12,895 votes, or 3,989 more than MembershipFirst candidate Anne-Marie Johnson, who received 32.6% of the 27,295 votes cast. Independents Seymour Cassel and Asmar Muhammad garnered 17.7% and 1.5%, respectively, in their bid for the presidency.

UFS came together last year in opposition and in January led a boardroom coup at SAG, installed new negotiators and salvaged a deal with Hollywood producers nearly a year after sister union AFTRA had ratified its own contract. Johnson is part of a separate coalition, Membership First, that was shunted to the board’s minority and saw its leader, president Alan Rosenberg, muzzled on most official guild business.

Howard, who picked up an acting Emmy on Sunday for his role in HBO’s “Grey Gardens,” campaigned on bringing a more collaborative approach to relationships with AFTRA, the DGA and WGA. Segments of those groups were alienated by the often-heated rhetoric of Rosenberg and 1st national vp Johnson.

“I campaigned on the promise that I’d do everything in my power to strengthen our position at the bargaining table by building a greater unity with AFTRA and the other entertainment unions, and that’s exactly what I intend to do,” Howard said. “Despite the sharp differences that those of us active in guild affairs sometimes have over strategy and tactics, we need to continually remind ourselves that we’re all on the same team, fighting for the same thing — and by pulling together, we’ll only grow stronger.”

UFS expanded the narrow majority it established on the 71-member national board in the September 2008 elections. The next Hollywood board meeting with newly seated members is scheduled for Oct. 5.

In concert with the national result, Mike Hodge was elected president of SAG’s New York branch, succeeding Sam Freed, who passed the moderate baton to his fellow United Screen Actors Nationwide member.

Hodge defeated Mitchell Green, a SAGNOW partisan affiliated with the more hard-line MembershipFirst faction. USAN, which is affiliated with UFS, has dominated SAG politics in New York in the recent past.

The results seem to reflect an industrywide fatigue resulting from the 2007-08 writers strike and the protracted SAG contract negotiations that ended in June. Last week, the WGA elected John Wells to the top slot over the more hard-line Writers United candidate Elias Davis. The rest of the WGA officers, however, were split with Writers United.

Among the immediate challenges facing Howard are retention of coverage of network pilots and the next round of negotiations for a new TV-theatrical contract. As part of the last deal, SAG agreed to start seven weeks of bargaining with the AMPTP as early as October 2010.

Additionally, the shifting economic and labor landscape has resulted in a looming decrease in benefits and increase in premiums beginning in January as a result of investment losses and decreased employer contributions. The damaged pension and health benefits situation became a political hot potato during the campaign.

Mending fences with sister unions DGA, WGA and AFTRA is a high priority for Howard as well. AFTRA members re-elected Roberta Reardon to the presidency in early August. As a UFS candidate, Howard preached the benefit of a collective approach with AFTRA and its roughly 70,000 members in negotiations with the studios and networks, an approach that was abandoned by the previous SAG regime.

The presence of Cassel in the election surely cost Johnson some votes, since he also remains a stalwart MembershipFirst partisan. Cassel narrowly lost to Rosenberg in the 2007 election, but he was dinged by an internal sexual harassment case against him that became public during this most recent campaign.

The National Board members elected Thursday will assume office Friday for terms of three years.

SAG’s Hollywood Division elected 11 National Board members; the New York division elected four National Board members; and seven National Board members were elected from the union’s branches in Chicago, Colorado, Florida, Hawaii, Philadelphia, Portland and San Diego.

National Board members elected from the Hollywood Division in addition to Sheen, Harris, Johnson, Stevens and Ladd were Elliott Gould, Ed Asner, Dule Hill, Hill Harper, Nancy Travis and Marcia Wallace (all three-year terms).

The following were elected to serve as National Board alternates and to the Hollywood division board (all one-year terms): Rosenberg, Gabrielle Carteris, Jenny O’Hara, Michael O’Keefe, Clyde Kusatsu, Dawnn Lewis, Doug Savant, Michelle Allsopp, D.W. Moffett, Joe Bologna, Robert Hays, Jason George, L. Scott Caldwell, Clark Gregg, Patrick Fabian, Bill Smitrovich, Ellen Crawford, Stacey Travis, Mandy Steckelberg, Renee Taylor, Bernie Casey and John Carroll Lynch.

National Board members elected from the New York division: Freed, Sharon Washington, Monica Trombetta and Liz Zazzi (all three-year terms).

The following were elected to serve as national board alternates and to the New York division board of directors (all one-year terms): Manny Alfaro, Sheila Head, Marc Baron, Joe Narciso, Jay Potter, Dave Bachman, John Rothman, Kevin Scullin and Justin Barrett.

National Board members elected from the Regional Branch division, all with three-year terms: John Carter Brown (Chicago), David Hartley-Margolin (Colorado), Dave Corey (Florida), Scott Rogers (Hawaii), Helen McNutt (Philadelphia), Mary McDonald-Lewis (Portland) and Don Ahles (San Diego).

Ballots for all eligible SAG members in Hollywood and New York were mailed on Aug. 25.

August 3, 2009

Campaign funds

Dear New York Member,

We are writing on behalf of United Screen Actors Nationwide – USAN. Since 2000, USAN has asked for your support and your votes, and you have given us both. Another SAG election is upon us. This election will determine the future of the Guild for years to come and that decision will have a direct effect on all of our livelihoods.

This year in New York, we once again face opposition from Alan Rosenberg and Anne Marie Johnson’s MembershipFirst faction in Hollywood and their surrogates in NY, running under the Trojan Horse heading of “SAGNOW“. If they regain their National Board majority, we will see more of our dues money spent on fighting AFTRA and their contracts, more “go it alone” negotiations, and the very likely re-hiring of Doug Allen as National Executive Director. Doug Allen and MembershipFirst failed to successfully negotiate even one of the eight contracts that were due in 2008, while spending over a million dollars of our dues money to try to convince us that they were doing a great job. Fortunately, we New Yorkers are not that gullible.

In the last year, the members of the NY Board, along with our allies in the Regional Branches, and our newly elected compatriots in Hollywood, took the steps necessary to oust Doug Allen. Allen’s and MembershipFirst’s, failed “destroy AFTRA” strategy led to the loss of many tens of millions of dollars in earnings under the Theatrical & TV Contract when those negotiations were dragged out for close to a year, and millions more lost under the Commercial Contract — which had to be extended for six months because of the prolonged Theatrical and TV negotiations. Add to those losses the damage done to our Pension and Health Fund.

The NY Board and our allies then fought to install a thoughtful and strategic national executive director (David White) and to successfully close both the Theatrical & TV and Commercial Contract negotiations and have them ratified by overwhelming numbers. We were also instrumental in closing the long-delayed Basic Cable Agreement and are currently working on negotiating new TV and Cable Animation contracts. This has all been accomplished since February.

USAN needs not only your votes, we need your contributions to run a campaign that will ensure that we can continue the progress we have made this year. The MembershipFirst/SAGNOW slate is very well funded. We need to be too.

If you believe, as we do, that the best hope for the future of professional performers in NY and across this country lies in eliminating the insanity of multiple unions representing us for the same work, and that the most reasonable way to accomplish that is by working to merge our unions, rather than driving them apart, then please consider contributing your money and your time to this campaign, so that we can continue to take the steps to get us there. We welcome any help you can give us.

The candidates that USAN are asking you to support include National Officer candidates:

Ken Howard – President
Amy Aquino – Secretary/Treasurer

And this year’s NY Nominating Committee candidates, who represent a diverse cross-section of the NY membership and work experience are:

New York Division President:
Mike Hodge

For the New York Board:
Liz Zazzi, Manny Alfaro, Dave Bachman, Marc Baron,
Justin Barrett, Sam Freed, Sheila Head, Joe Narciso,
Jay Potter, John Rothman, Kevin Scullin,
Monica Trombetta, and Sharon Washington

You can make contributions by credit card or PayPal through our website (personal credit card only – no corporate cards). If you wish to send a check please message us for instructions.

Please help any way you can. And please forward this to your friends who may be affected. All of our livelihoods are at stake.

Thanks in advance for your help,

Sam Freed,
Current NY Division President – NY Board Candidate

Mike Hodge,
Current NY Division Vice-President – NY Division Presidential Candidate

June 10, 2009

SAG Ratify TV/Theatrical Agreements

FOR IMMEDIATE RELEASE

Screen Actors Guild Members Overwhelmingly Ratify TV/Theatrical Agreements


Los Angeles, (June 9, 2009)Screen Actors Guild announced today that members have voted overwhelmingly to approve its TV/Theatrical contracts by a vote of 78 percent to 22 percent.
 
The two-year successor agreement covers film and digital television programs, motion pictures and new media productions. The pact becomes effective at 12:01 a.m. June 10, 2009 and expires June 30, 2011.
 
The contracts provide more than $105 million in wages, increased pension contributions, and other gains and establishes a template for SAG coverage of new media formats.
 
Approximately 110,000 SAG members received ballots of which 35.26 percent returned them – a return that is above average compared with typical referenda on Screen Actors Guild contracts. Integrity Voting Systems of Everett, WA, provided election services and tonight certified the final vote tally upon completion of the tabulation.
 
The vote count in the Hollywood Division was 70.70 percent to 29.30 percent in favor. In the New York Division, the vote count was 85.74 percent to 14.26 percent in favor. And in the Regional Branch Division, the vote count was 89.06 percent to 10.94 percent in favor.
 
Screen Actors Guild President Alan Rosenberg said, “The membership has spoken and has decided to work under the terms of this contract that many of us, who have been involved in these negotiations from the beginning, believe to be devastatingly unsatisfactory. Tomorrow morning I will be contacting the elected leadership of the other talent unions with the hope of beginning a series of pre-negotiation summit meetings in preparation for 2011. I call upon all SAG members to begin to ready themselves for the battle ahead,” Rosenberg added.
 
Screen Actors Guild Interim National Executive Director David White said, “This decisive vote gets our members back to work with immediate pay raises and puts SAG in a strong position for the future. Preparation for the next round of negotiations begins now. Our members can expect more positive changes in the coming months as we organize new work opportunities, repair and reinvigorate our relationships with our sister unions and industry partners, and continue to improve the Guild’s operations.”
 
Screen Actors Guild Chief Negotiator John McGuire said, “I want to thank the SAG members and staff who dedicated their time to the negotiations process. We emerged with a solid deal that the members have now voted up. The negotiating team worked tirelessly, building on the work of the first negotiating committee, to deliver these improvements to members.”
 
Screen Actors Guild began talks with the Alliance of Motion Picture and Television Producers on April 15, 2008.  Guild Chief Negotiator John McGuire, Interim National Executive Director David White, and Deputy National Executive Director for Contracts Ray Rodriguez, working with a 10-person negotiating task force comprised of Screen Actors Guild board members and officers representing the three divisions, reached the tentative agreement on April 16, 2009 after 12 months of periodic negotiations with the motion picture studios and television networks.
 
For further information on the new contract, including the full text and a summary of the agreement, click here <http://www.sag.org/tvtheatrical-negotiations> .  

ACTORS RESPOND TO CONTRACT RATIFICATION

Tony Shalhoub, actor
“This is a great decision for SAG and I’m so appreciative of everything the new leadership is doing to put the Guild back on track. They’ve obviously got the right ideas for making SAG stronger.”

Stephen Collins, actor
“This contract passed because members knew it was time to take advantage of the gains our negotiators won and get back to work. On top of that, they understood that risking our ability to negotiate alongside AFTRA and the other unions in the 2011 negotiations would have been a huge mistake.  It’s a great day for SAG.”

Sam Freed, actor, 2nd National Vice President
“This decision by the membership marks the end of a very long process.  We can now move forward with a new sense of certainty.”

Sue-Anne Morrow, actor, National Board Member representing New York
“This is a good deal with good gains. SAG’s members clearly agree. It’s about time we got a raise. I’m so pleased that SAG’s members exercised their right to be heard and said ‘Yes!’.”

Mike Hodge, actor, National Board Member representing New York
“I am extremely pleased that we have finally come to the close of a long, unproductive period. I am hopeful that we can heal our wounds and really start the work to become a unified, national union.”

Nancy Duerr, actor, National Board Member representing SAG Florida Branch
“This is a victory for SAG performers across our region. Stalled and delayed productions can now get underway, boosting our local economies. This contract not only puts more money in members’ pockets, it preserves the high standards of working conditions our members have come to expect.”

Todd Hissong, actor, Chicago Branch President, National Board Member
“By passing this referendum, Chicago members have sent a clear message that we want to get back to work. Screen Actors Guild members across the country have yet again demonstrated our grasp of the issues, the importance of unionism, and our need to stand together with our sister unions to make deals that benefit us all.”

David Hartley-Margolin, Colorado actor, SAG 3rd Vice President
“The membership always has the last word when it comes to contract matters. They have spoken. Their endorsement of the deal with the AMPTP ends the uncertainty that has been hovering over us and allows Screen Actors Guild and the industry to move forward together.”

June 3, 2009

Familiar Faces on Youtube

Here are some videos where the actors are in support or against the new contract.

Ned Vaughn’s video

Adam Arkin, Amy Brenneman, Ken Howard, Sam Freed, Jack Coleman, Kate Walsh, Stephen Collins, Ed Begley, Jr., and 26 other SAG members declaring their support for “Yes” on the TV/Theatrical contract.

Ed Harris video

SAG Town Hall Meeting

Report on SAG NY Town Hall Meeting  (June 2,  2009)

 

SAG held a town hall meeting in NY last night to provide information re the TV/theatrical contract. It comes a bit late in the process, since the ballots are due back in the mail by next Tuesday, June 9. That means that the last day to reliably mail the ballots is probably Friday, or even Thursday, depending on your faith in the USPS and its vagaries. It also means that we have probably seen the end of the multitude of pro and con videos deployed on the SAG website, Membership First website, and YouTube.

Variety reports the turnout was slim—about 100 actors. SAGWatch infers, accurately I think, that most people have already voted and would have little reason to attend an informational meeting at this point.

The Variety report notes that attendees included SAG interim NED David White, President Alan Rosenberg, MF-ers 1st VP Anne-Marie Johnson and Scott Wilson, while supporters of the deal included Dan Lauria, Dylan Baker, SAG 2nd VP Sam Freed and board members Ralph Byers, Paul Christie, Rebecca Damon, Mike Hodge and Kevin Scullin.

A source, who spoke on condition of anonymity, tells me that the MF folks (perhaps 15-20 people) were rowdy, booing people and apparently having their cell phones call en masse to disrupt the meeting.

However, the most interesting thing the source told me is that after the meeting the source spoke individually with Alan Rosenberg and asked whether he would attempt to have SAG reimburse him for his legal fees incurred in the lawsuit he, Johnson, Diane Ladd and Kent McCord files against SAG itself, a suit that has received denials in both the trial and appellate courts but nonetheless continues at both levels.

What’s interesting Rosenberg’s response, as reported by the source: “I don’t have any legal fees. It’s pro bono.” This is a problem—if true, it would explain in part why Rosenberg and his co-plaintiffs continue the futile and disruptive suit against SAG, which is burning up the union’s money at a that the guild has ben left with a $6 million deficit by MF. It’s also a small benefit, in that the plaintiffs will have no legal fees to extract from SAG if they were to recover control of the national board.

I emailed Rosenberg requesting comment on the source’s report and his assistant replied that his response was as follows: “This is a private matter and I don’t want to speak about it publicly”. “I have no further comment”.

 

———————

Subscribe to my blog (jhandel.com) for more about SAG, or digital media law generally. Go to the blog itself to subscribe via RSS or email. Or, follow me on Twitter, friend me on Facebook, or subscribe to my Huffington Post articles. If you work in tech, check out my new book How to Write LOIs and Term Sheets.

SAG – AFRTRA RATIFY AGREEMENT

 

SAG-AFTRA Ratify Advertising Agreement; SAG Townhall Features Fireworks (May 22, 2009)

 

SAG and AFTRA announced yesterday that their combined paid-up membership, about 132,000 members, overwhelmingly ratified the contracts between the unions and the advertising industry. The result was expected, as there was no organized opposition. About 28% returned their ballots, about typical. Of those voting, about 94% voted yes. The deals expire March 31, 2012.

The news from the TV/theatrical side is nowhere near as placid. The ballots went out a few days ago—they’re due back June 9—and SAG’s conducting a series of town hall meetings across the country. The first was last night in Hollywood, and the fur flew. About 600 people attended according to a staff count; although the crowd was reportedly 70% composed of hardline Membership First partisans, they didn’t manage to fill the room. That’s a bit surprising. I’d expected an overflow crowd, given their (apparent?) strength in Hollywood.

What they slightly lacked in numbers, they made up in volume and conviction, according to sources inside the room. Fellow MF-ers like SAG President Alan Rosenberg were applauded for their statements against ratification, while pro-contract voices such as SAG interim National Executive Director David White were booed. The approximately three-hour confab kicked off with statements from the dais, and was mostly taken up by member questions and comments, which were described as overwhelmingly anti-ratification.

That dais, by the way, included SAG Secretary/Treasurer Connie Stevens, chief negotiator John McGuire, White, SAG 1st VP Anne-Marie Johnson (who chaired the meeting), Unite for Strength leader Ned Vaughn, UFS-er Stacey Travis, Deputy NED Ray Rodriguez, and Rosenberg. General Counsel Duncan Crabtree-Ireland responded to questions from time to time.

According to Vaughn, Rosenberg was asked at the meeting what he proposed the union do if it voted down the deal. Rosenberg apparently replied that the union should get a strike authorization and then, if necessary, strike. How he expects to conjure up the necessary 75% vote for a strike authorization is unclear. In contrast to that high hurdle, it only takes 50% + 1 (a simple majority) to ratify the deal.

More colorful speakers at the meeting were Ed Asner and Seymour Cassel. Asner compared the contract’s effect on actors to “taking the Jews out and shooting them,” leading one audience member to comment that he hadn’t expected Holocaust metaphors at a SAG meeting. Well, why not? SAG politics seem to know no bounds.

Cassel, for his part, spotted former SAG president Melissa Gilbert, a moderate, and, standing at the mic, referred to her dismissively. Cassel later responded to one of David White’s comments by saying “bullshit.” This was understandably too much for Johnson, as chair of the meeting, and she ordered Cassel to leave. Out in the hallway, Cassel told me that “I tend to speak my mind, perhaps too candidly.” That certainly seems true.

Another notable out in the hall was Nichelle Nichols, who played Uhura on the original Star Trek. We chatted briefly about the Star Trek movie, not SAG politics, let alone Trekian essays about SAG politics. There was also a Jack Nicholson lookalike, wearing a snappy suit, white shoes, and tinted eyeglasses. Maybe it was Jack Nicholson, but somehow I wouldn’t expect to see him aimlessly wandering the halls at a SAG meeting and using the hotel ATM.

David White chatted for a bit after the meeting, and explained the contrast between his reaction to the studios’ February offer (it “sucks,” he said at the time) and the current one (“a good deal with solid gains,” he told me yesterday, and, in the context of the economy and the dragged out negotiating process, even a “fantastic” one). The key difference is the contract expiration date, which in the current deal is synchronized with the WGA, AFTRA and DGA (mid-2011). In the February deal, it wasn’t, and the significance is that synchronicity allows at least some of the unions to make common cause and present a united front when the contract is up.

White previously predicted the deal would pass, so this time I asked whether he thought it would pass in Hollywood. (That’s not necessary for passage, but it would give some signal of a reduction in divisiveness within the union.) He predicted it would, citing the strong messages of support he was receiving from Hollywood members (though not at the meeting), but noting judiciously that “members will vote their conscience.”

Ned Vaughn also told me the deal would pass, both in Hollywood and nationally. He pointed to the importance of consolidating gains and negotiating in solidarity with other unions, especially AFTRA, in 2011. I asked if he thought SAG and AFTRA would be merged by 2011, and he replied that he “would love it if they were.”

A contrasting post-meeting voice was MF stalwart and SAG board member Clancy Brown, who explained his opposition to the deal in more measured terms than Asner and Cassel had used. He argued that “there’s a better deal out there to be had,” and cited “the paltry Internet move over residual” and the “larcenous” force majeure settlement as reasons.

The day before, I spoke with 2nd VP Sam Freed, who is president of the New York board, and separately with board member Mike Pniewski of Atlanta, both supporters of ratification. The latter predicted the deal will pass, and commented that the guild “got the best deal we can.” He cited a variety of positive aspects of the deal, and underlined the need for “stability in the marketplace” for labor.

Freed pointed to the estimated $105 million value of the deal, and said it addresses “the plight of the middle class actor.” He emphasized that the level of concern MF expresses over new media was not supported by current figures: of $1.3 billion in SAG earnings in 2008, Freed told me only 0.05% came from new media. (That’s one-twentieth of one percent, not 5%.) Alluding to the opposition, he quipped “There’s a guy who would be complaining if it was raining vegetable soup and he only had a fork in his hand.”

In other union news, Variety reports that 85 year-old actor Theodore Bikel “has been re-elected to an 11th two-year term as president of the Associated Actors and Artistes of America.” The 4-A’s, as it’s known, is in turn a unit of the AFL-CIO. Its affiliates are AFTRA, SAG, Actors’ Equity and several smaller performers unions: American Guild of Musical Artists (AGMA), American Guild of Variety Artists (AGVA), and the Guild of Italian American Actors. AFTRA has a direct charter with the AFL-CIO, awarded last year. The other unions are chartered with the 4-A’s, as far as I know, and derive their AFL-CIO affiliation that way (as did AFTRA prior to 2008).

Subscribe to my blog (jhandel.com) for more about SAG, or digital media law generally. Go to the blog itself to subscribe via RSS or email. Or, follow me on Twitter, friend me on Facebook, or subscribe to my Huffington Post articles. If you work in tech, check out my new book How to Write LOIs and Term Sheets.

VARIETY: SAG PR BATTLES BEGINS: GUILD MEMBERS TO GET PITCHES, BALLOTS (APR. 22, 2009)

 

SAG PR battle begins

Guild members to get pitches, ballots

By 

 

Supporters of SAG’s tentative feature-primetime deal are appealing to the guild’s middle-class actors — and blaming the hardliners for the delay — as the first salvos start in what’s expected to be a bitter battle over ratification of the pact.

Ballots will go out early next month, with a return date three weeks later; specific dates are not yet set. In a message sent Wednesday to New York members, SAG second VP Sam Freed contended the pact will dispel the pervasive ambiguity that’s dogged showbiz since SAG’s master contract expired nearly 10 months ago.

“Ratification will not only guarantee increases in terms and conditions but it will end the uncertainty that working without a contract has caused,” Freed said. “Production can gear up once again, and we can get back to work. The recent changes that your board has made are bearing fruit.”

Freed’s message is a clear swipe at opponents of the pact, led by SAG president Alan Rosenberg and the Membership First Coalition, who have insisted for the past year that SAG has to achieve sweeter terms than the other Hollywood unions — particularly in new media. Rosenberg’s repeatedly criticized the board moderates for failing to present a unified voice during the negotiations.

A moderate coalition gained control of the national board from the hardliners in the fall, fired Doug Allen as SAG topper in January for allegedly botching the negotiations and endorsed the new deal Sunday with 53.6% support. Freed noted that Allen’s replacements — David White as interim national exec director and John McGuire — had been able to persuade the Alliance of Motion Picture & Television Producers to relent on its demand for a full three-year deal, keeping the expiration date of June 2011 in line with those for the DGA, WGA and AFTRA pacts.

“Because of the prolonged period of these negotiations, this contract has a term of only two years,” Freed said. “This was a hard-fought concession that will allow our contract to expire with our sister unions and permit the option of joint negotiations in the future.”

Meanwhile, the deal’s opponents are gearing up their antiratification campaign with a rally today outside the AMPTP headquarters, followed by a gathering at a yet-to-be-determined location during the May 2-3 weekend.

The proponents will likely point to the loss of an estimated $67 million in actor pay gains as a result of Membership First’s refusal to accept the AMPTP’s offer last summer.

Freed said the gains achieved in the deal go directly to the needs of the middle-class actor amid the recession.

“Raises in minimums, increases in major-role performer premiums and the increases in residuals for primetime series reruns represent real dollars in members’ pockets,” he said. “There is a 0.5% increase in pension and health contributions bringing the total contribution to 15%, a gain made even more significant given the state of our economy and the hits our funds have taken. Jurisdiction is awarded in new media with the establishment of a residual structure. A residual formula is created for movie and television downloads that represents an increase over the DVD formula.”

SAG’s deal includes a 3.5% annual hike in minimums — a 3% salary hike in the first year plus a 0.5% gain in pension and health contributions in the first year and a 3.5% salary increase in the second. AFTRA’s three-year deal, unsuccessfully opposed last summer by Rosenberg and Membership First, contains similar provisions but with an addititional year of increases.

Read the full article at:
http://www.variety.com/article/VR1118002748.html

DAVE MCNARY

Message from SAG’S NY DIVISION PRESIDENT SAM FREED (APR. 22, 2009)


Message from SAG’s New York Division President Sam Freed

Dear New York Guild Member,

There were two significant events this past weekend that will affect the
lives of New York actors and Guild members across the country.

On Saturday at a meeting of the joint board of SAG and AFTRA, there was a vote to send a proposed Commercials contract to our joint membership for ratification. This marks the conclusion of a successful effort of both our unions to negotiate together for the benefit of all of us. The proposal will come to you with a unanimous approval of the joint negotiating committee and a recommendation to vote “YES” from both institutions. Details of the contract will be provided with your ballot that you will receive in a few weeks.

On Sunday at a meeting of the SAG National Board, there was a vote to send a proposed TV/Theatrical contract to SAG members for ratification. This marks the end of an extended negotiation that has left us working without a contract since July 1 of last year. This contract will come to you with a recommendation to vote “YES” from both the Board and the recently constituted Negotiating Task Force that helped bring these negotiations to a conclusion.

You will receive detailed information about this contract along with your ballot. But in short the gains achieved go directly to the needs of the middle class actor. Raises in minimums, increases in major role performer premiums and the increases in residuals for primetime series reruns represent real dollars in member’s pockets. There is a .5% increase in pension and health contributions bringing the total contribution to 15%, a gain made even more significant given the state of our economy and the hits our funds have taken. Jurisdiction is awarded in New Media with the establishment of a residual structure. A residual formula is created for movie and television downloadsthat represents an increase over the DVD formula.

Because of the prolonged period of these negotiations this contract has a term of only two years. This was a hard fought concession that will allow our contract to expire with our sister unions and permit the option of joint negotiations in the future.

Lead Negotiator and Guild Senior Advisor John McGuire deserves much credit for getting these negotiations back on track and making improvements from the deal that was presented back in June of last year. David White, our new Interim NED, was instrumental in getting the AMPTP to move off their position of the term of the contract. The membership owes them much for their efforts.

Ballots for this contract will be sent20out in early May. You will have opportunities to learn more about the contract in consideration of your vote. Ratification will not only guarantee increases in terms and conditions but it will end the uncertainty that working without a contract has caused. Production can gear up once again and we can get back to work.

The recent changes that your Board has made are bearing fruit. We continue to move forward.

In
Solidarity,

Sam Freed
New York Division President

June 2, 2009

The New York SAG Board (APR. 3, 2009)


A Message from New York Division President Sam Freed

 
To the New York Membership:
 
 A tentative deal has been reached on our Commercials Contract.  The proposed contract, unanimously approved by the joint negotiating committee, must now go to the joint Boards of both SAG and AFTRA for approval and then be ratified by the membership.  
 
 This negotiation marks a tremendous accomplishment for both our unions and the industry.  We should all be incredibly proud and thankful for the work done by the joint committee that consisted of both elected and volunteer members.  The national Chairs of the Committee, New York Secretary Treasurer Sue Anne Morrow for SAG and National President Roberta Reardon for AFTRA should be especially congratulated for their leadership.  Lead negotiators John McGuire, Mathis Dunn and Ray Rodriguez were equally masterful in negotiating a deal that will serve our membership for the next 3 years.
 
 You will be provided with more details about the proposed contract once the joint Boards approve it.  But in short this deal preserves Class A residuals, increases minimums across the board, increases pension and health contributions and sets standards for the internet and new media.
 
 The solid gains in this proposal are made even more phenomenal considering the economic atmosphere in which they were made. I am eager to present them to you for your consideration and ratification.
 
 We are moving forward.
 
 In Solidarity,
 
 Sam Freed
 New York Division President

SAG Money being misused (March 3, 2009)

Filed under: Entertainment — showbizreporting @ 5:19 pm
Tags: , , , , ,


Perhaps you received the Hollywood Call Sheet (the official Newsletter of SAG Hollywood) with a front page opinion piece by Anne Marie Johnson. It is another example of how Membership First flagrantly misuses our Guild email list. In the recent past, they censured the columns of both former SAG NY President Paul Christie, and current SAG New York President Sam Freed from the Call Sheet because their opinions were counter to the actions of MF. I will be contacting the Guild tomorrow to see what recourse there is. This is our dues money at work.

Blog at WordPress.com.